Here are some pictures of the building of various guitars :
OM Mahogany
Blue archtop 17
Flattop Koa
Archtop 15"
17" Archtop
Kozmic Blues
Metropolis
Archtop 17
Archtop 18
Archtop 16
Fedora
Koa OM
L-00 Sunburst
Madagascar OM
Sunburst archtop
00 Koa

Preparing the top and the back.
Bending the sides.
Making the fingerboard.

Bracing the top and the back.
Assembling the body.

Making the bindings.
Sanding and finishing.
Making the bridge.
Gluing the fingerboard and the bridge.
Final set-up.

Building the sides and the top.

The back
Assembling the body
The bindings
The neck

The fingerboard
Le neck
The finish
Set-up

Here are some details about the jig I use to make the tenon on the neck and the mortise on the body of a guitar.

My "home-made" thickness sander used to sand the tops, backs and sides to the right thickness.

A little tip to prevent the fingerboard from slipping while it is glued on the neck.

The method I use to prepare the curved braces for the flattop guitars.

On guitar tops and backs, it is very common to see purflings beside the binding. The side of the guitar sometimes have this kind of purfling too ( see the picture on the right ). Unlike top and back purflings, this side purfling needs to be glued to the binding before bending and gluing this binding. Here is a little tip to do this.

Here is a really simple tool to help drawing the tuners holes.

Some pictures showing a pearl inlay work.

The waste of side plates can be used to make bindings. But when they are cut with a bandsaw, the bottom of these bindings need to be sanded clean. Here is a simple way to do that.

Here is a quick tip to verify the neck alignment before gluing the fingerboard.

The method I now use to prepare the curved braces for the flattop guitars.